Two Women to Head Juries

(The Guardian)

(The Guardian)

Actresses Tilda Swinton and Isabelle Huppert have been appointed to lead the jury of two of the most prestigious film festivals.

tilda_swintonSwinton will chair the 59th Berlin Film Festival which runs from February 5-15. Huppert will preside over the Cannes Film Festival which runs from May 13-24. Huppert is only the 4th woman to lead the jury in the festival’s 60 years. The other women were: Liv Ullmann, Jeanne Moreau and Françoise Sagan.

Isabelle Huppert to head Cannes 2009 jury (The Guardian)

Equality Watch: New Films in the National Registry

The Library of Congress added 25 more films to the National Registry bringing the total to 500.

There was not a single film directed by a woman (I don’t know how many are on the list of the other 475).  A couple of the films are about women:

Johnny Guitar (1954)
Often described as the one of the stranger, kinkier Westerns of all time, Nicholas Ray’s film-noiresque “Johnny Guitar” possesses enough symbolism to keep a psychiatrist occupied for years and was a favorite of French New Wave directors. “Johnny Guitar,” filmed in the Trucolor process and CinemaScope, also rates significance as one of a few Westerns featuring women as the main stars (Joan Crawford and Mercedes McCambridge).

No Lies (1973)
Done in faux cinema verite style, Mitchell Block’s 16-minute New York University student film begins on a note of insouciant amateurism and then convincingly moves into darker, deeper waters. Opening with a scene of a girl getting ready for a date, the camera-wielding protagonist adroitly orchestrates a mood shift from goofiness to raw pain as an interviewer tears down the girl’s emotional defenses after being raped. It’s one of the first films to deal with the way rape victims are treated when they seek professional help.

The Perils of Pauline (1914)
“The Perils of Pauline” was the first American movie serial. Produced in 20 episodes, in a groundbreaking longform motion-picture narrative structure, the series starred Pearl White as a young, wealthy heiress whose ingenuity, self-reliance and pluck enable her to regularly outwit a guardian intent on stealing her fortune. The film became an international hit and spawned a succession of elaborate American adventure serial productions.

Full list:

The Asphalt Jungle (1950)
Deliverance (1972)
Disneyland Dream (1956)
A Face in the Crowd (1957)
Flower Drum Song (1961)
Foolish Wives (1922)
Free Radicals (1979)
Hallelujah (1929)
In Cold Blood (1967)
The Invisible Man (1933)
The Killers (1946)
The March (1964)
On the Bowery (1957)
One Week (1920)
The Pawnbroker (1965)
Sergeant York (1941)
The 7th Voyage of Sinbad (1958)
So’s Your Old Man (1926)
George Stevens World War II Footage (1943-46)
The Terminator (1984)
Water and Power (1989)
White Fawn’s Devotion (1910)

‘Terminator’ locked up in film archive (Hollywood Reporter)

Women & Hollywood on the BBC

Please check out this year-end piece that the BBC did on Angelina Jolie.

All this week, we’re looking at five remarkable personalities of 2008.

Angelina Jolie is widely seen as the most successful actress in Hollywood today. Vincent Dowd looks at her career and asks why so few film actresses ever attain the longevity of their male counterparts.

BBC Analysis (click on Friday)

Thoughts on Benjamin Button

benjamin-button-movie-28Here are some thoughts on The Curious Case of Benjamin Button sent to me by my mom - Linda Silverstein (thanks for the support, mom.)  I thought I’d pass them on to you all.  People should feel free to post their thoughts on films in the comments.

The Curious Case of Benjamin Button is very much like Eric Roth’s other film, Forrest Gump but it goes much deeper. It challenges us to consider the irrelevance of both age and physical appearance to the true meaning of life.  Born old, Benjamin always had “old eyes.” Born at the most scorned of all ages, Benjamin never developed the arrogance of beautiful youth. As an outsider, much like Gump, Benjamin could always see that nothing lasts, and only as you appreciate the moment you are in can you experience life fully.

Never really expecting anything, he enjoys everything. Always willing to try, he experiences things when those less prejudiced let him in. Age and physical appearance are curiosities to him because he knows that they herald his end, not his beginning.  Thus two central tenets of our lives are sent packing here — we are how we look and we are our age. Neither is true for Benjamin Button and they need not be the only truth in our lives either.  On the ship  he says: “Age don’t matter here- only can you do the work”.  How great!

I personally think only Pitt could have done this film because you could almost call him a curious case. He seems to have placed his great physical beauty below his value system in real life. (The little we know of him that is). He seems (in the tabloids) to value family, be blind to prejudice and to be committed to helping others. How Benjamin of him.

A Look Back on 2008 as We Move Into 2009

As we move forward into a new year and a new administration in Washington, it’s good to look back at people and issues (and a few great quotes) that resonated over the last year.

THE GOOD NEWS

Women are a market…but we need to be vigilant
We proved it with three of the top 15 grossers of the year: Sex & the City ($152 million domestic), Mamma Mia ($143 million domestic) and Twilight ($168 million domestic and still going). My hope for 2009 is that we keep making movies for women (including those of us over 25) and not freak out if they don’t have a stupendous opening weekend. Look at Mamma Mia. Didn’t open that big but had legs.

But, my worry is that there is not enough product in the pipeline and that if we don’t keep building on the momentum we will regress back to the age old perception that successful women’s film are just flukes. I would be so happy to never hear again: “that was just a fluke.” It’s just a cop out. Continue reading ‘A Look Back on 2008 as We Move Into 2009′

Women Rule the Baltimore Arts Scene

It’s still very rare (though becoming decidedly less rare) when a woman runs a single artistic institution in a major city, but in Baltimore it seems that women are running all the major arts institutions. How interesting.

The Baltimore Sun sat them down for a dialogue about their institutions and touched on some issues related to be being a woman leader in the arts. The conversation included: Marin Alsop who made news in 2007 when she was appointed the first female music of the Baltimore Symphony Orchestra. (She was the first woman appointed to lead a large orchestra anywhere); Doreen Bolger who runs the Baltimore Museum of Art; and Debbie Chinn and Irene Lewis who are the Managing Director and Artistic Director of Center Stage.

Interesting quote:

It’s lonely at the top. What’s it like to be a female arts leader in Baltimore?

Alsop: My immediate answer is it’s fantastic, it’s wonderful, but there are a lot of issues. The discussion of women’s leadership issues is even more repressed in America than the discussion of race. [She proposes a future city or statewide festival addressing the topic of women in management.] It need not be spoken in an extremely pointed way, but we could subtly celebrate the achievements of women. It could help young women coming up to move ahead.

Chinn: It could also be an opportunity to build more arts leaders of color. It’s very rare to find a managing director of color unless you’re part of an African-American or Asian-American theater company. They’re going into accounting and marketing and fundraising, but for some reason, there are very few managing directors of color in this country. I’d like to explore why that is.

Lewis: Being a woman informs my work, but it doesn’t define it. I came up at a time when it was so much harder than now; I don’t feel thwarted in any way. I was invisible for so long, or tried to be, so I’d slip through. When I was at Hartford Stage in the 1970s, I was accused of taking a man’s spot: “This is a do-or-die situation for women. We don’t really think you can direct.”

The year of the woman (Baltimore Sun)

Cate Blanchett = No Drama

cate-blanchett-0902-ps15The new issue of Vanity Fair has a cover piece by Leslie Bennetts on Cate Blanchett. What I find so fascinating about the piece, is really how little she reveals about herself. She’s a private person and I am impressed that she has able to maintain that veil of privacy even while being one of the most talented, respected and most sought after actresses of her generation.

While Hollywood seems obsessed with the drama surrounding people sometimes more than the actual films (witness Angelina Jolie), Blanchett — probably because she lives in Australia– has completely escaped the Hollywood drama scene. And more important, she’s not punished for not playing the game. I think she gets away with it because she is so damn good, but also because she’s not American.

After finishing the piece I can’t pretend to know any more about Blanchett than I did before, and that’s probably her point. She seems to have a wonderful marriage and partnership with writer, playwright and director Andrew Upton. They are co-running the Sydney Theatre Company and raising three young sons. They seem quite…normal. Busy, yes, but not stuck up.

What a pleasure to see and read.
A Hollywood Elusive (Vanity Fair)

Movie Idea: American Wife

americanwifecover2widecI just finished (more like devoured) Curtis Sittenfeld’s recent novel American Wife, loosely based on the life of Laura Bush. Loved the book, especially the ending and can’t help but think what a great movie it will be.

I’d rather see a fictionalized version of Laura Bush than the one being paraded around town now on the Bush presidency legacy press tour. We’ve barely heard from Laura Bush for eight years and now she’s out defending her husband’s administration. Nobody’s buy it.

Yari Bankruptcy Screws Nothing but the Truth

nothing-but-the-truth-movie-02Nothing but the Truth was getting some decent buzz earlier this fall. Kate Beckinsale and Vera Farmiga were getting noticed for their brave performances in the Rod Lurie fictionalized version of the Judith Miller goes to jail to protect her source story. I very much liked the movie. Here’s my review.

The film was supposed to come out in limited release through the awards season and then open wider in January. But the problem (and it’s a big one) is that the Yari Film Group the film’s distributor filed for bankruptcy a couple of weeks ago screwing the film out of any possibility of getting awards recognition in any major scale.

The awards season is about visibility and money and with the bankruptcy this film has gone from potentially being on the bubble to invisible. I don’t know if Beckinsale would have made it to the Oscar final five (I doubt it) but people were talking about her work. No more. It’s too bad.

Here’s a quote from Rod Lurie on the situation:

The Chapter 11 is like a drive-bye shooting. Life is going well, your actresses are being lauded and getting nominated, the reviews are terrific, and all of a sudden something out of your control knocks you down hard. But we’re just wounded. The hope of myself and my producing partner and everybody involved creatively is that another distributor - who wants to release a very commercial thriller - swoops the film up.

Are there any other distributors out there with some money to release this film in January or February? There are very few women centric films coming out then. Might be a good window.

Where is She Now? Lisa Eichorn

lisa-eichorn1I remember her from the film Yanks and a variety of TV roles (The Practice, Law & Order among others) in the 1990s, but actress Lisa Eichorn now living in England has become a producer and writer of the filmDefender of Riga, the highest grossing movie in Latvia and that country’s submission for the best foreign film award. Here’s an interview from the LA Times on her role with the film.
Lisa Eichhorn: an American in ‘Riga‘ (LA Times)

Hollywood Feminist of the Day: Debra Winger

SXSW Texas Film Awards, March 2008 AP Photo/Jack Plunkett

Check out this great quote from a great interview with The Guardian

Society makes women of a certain age invisible. It’s convenient. Remember our mothers? How inconvenient they were to us? It’s like that, on a grand scale. In the early part of my life I carried the flame for fiery women: perky women who were not dumb. And now I feel like I could be the woman to play this role: the invisible woman.” Only no one is writing these kinds of parts. “Roles for women. There aren’t any. They’ve been saying that since the 1920s, and it’s true. [My theory is that] women don’t write enough. Because who do they expect to write these roles? Men?”

One new years wish: more parts for Debra Winger, bigger than her part in Rachel Getting Married.
The interview: Debra Winger (The Guardian)

Feminism and Revolutionary Road

Revolutionary Road is a tough movie for a woman who grew up after the women’s movement of the 1970s to watch, but after watching it a couple of times I actually think that it should be required watching for all young women who think that feminism is irrelevant. (Disclaimer, I am a consultant to the studio and organized a blogger screening for the film.)

The film tells the story of April and Frank Wheeler living the post World War Two “American dream” that morphs into the American nightmare. It is the era described in the Feminine Mystique by Betty Friedan the book that articulated for women the “problem with no name” which Kate Winslet read while preparing for her role as April.  She stated in an interview:  “It was the era of prescription medication, you know, and women really starting to believe …Maybe I’m crazy, because I don’t want this life, I think there’s something wrong with me.’” (The Guardian)

April and Frank were was supposed to be different. But they weren’t. They were exactly the same as everyone on their boring suburban street and that’s what was driving them both crazy. But the thing is that Frank had options and choices and given the fact that it is 1955, April did not. Frank went into the city everyday on the train with lots of other men to their boring jobs and April was stuck at home.

She had no choices, no options.

A scene that really shows April’s suffocation is when she takes out the garbage cans and positions them perfectly on the curb. She then looks up and sees all the other garbage cans perfectly positioned on the curbs up and down the street. Her face at seeing all the cans, the disbelief that this has become her life is palpable.  Juxtapose that with the scene of Frank standing on the train smoking and breathing in the fresh air and the suburbs fly by.  He’s free, she’s in a box.

April wants out and does her best to get herself and her family out but Frank, who can’t perceive the depths of her unhappiness because each day he escapes to his office and his lunches with the guys and his affair with a young woman who works in the office, is not in the same place.  When April finds out she is pregnant for the third time it sends her over the edge. She knows that if she has another baby she is never, ever, getting out and she can’t bear it.  Women took abortion decisions into their hands in the days before it became legal, and April performs a DIY abortion which leads to devastating consequences.

Winslet shows that she is the greatest actress of her generation in her portrayal of April Wheeler. She is able to raise Leonardo DiCaprio’s performance to another level and he should be thanking her for all his glowing notices.  April is a real feminist hero as the film’s director Sam Mendes (and Winslet’s husband) said in an interview about the film. “She’s the only person in the movie that is big enough to face the truth. You know well this is not a movie about a woman who wants to go to Paris. It’s a movie about a woman who wants her life back and can still remember the dreams she once had and is finally wakening up, which a lot of people do in their 30s and 40s, who go, ‘How did I get here? This is not what I wanted.” (LA Times)

Revolutionary Road shows what life was like for women before feminism. It’s an important history lesson from the not too distant past. Watch it and read The Feminine Mystique and be thankful that there was a feminist movement or who knows what life would be like now.

‘I did have moments where I’d say, Oh my God …’ (The Guardian)

Mika Brzezinski - Morning News Star

mika-brzezinski-vmed-12pwidecI get up pretty early in the morning to do my writing.  I like to write with TV or radio (because I am a pop culture and news junkie.)  Some mornings I watch the Rachel Maddow show from the previous evening, but lately I’ve been watching Morning Joe on MSNBC.  I clearly don’t watch the show for Joe Scarborough the forner Republican congressman who does nothing for me and sometimes makes me want to hit him… I’ve been watching the show for his partner — Mika Brzezinski who I find is a total breath of fresh air.

This is a woman who grew up with a dad with National Security Advisor under Jimmy Carter and ironically got fired from CBS two years ago when they brought Katie Couric in.  I kind of remember Mika from a couple of years ago in an earlier incarnation on MSNBC where she co-hosted an afternoon news show with Ashley Banfield.

What I love about her is that she is the one who keeps things moving and focused.  She’s usually surrounded by guys, Joe, Willie Geist the news guy (please tell me why this guy is on this show) Mike Barnicle, occasionally Pat Buchanan.  There are other female guests, but none are parked for hours like the guys are.  She doesn’t let them get away with anything and calls them on their crap and also manages to get in some really strong opinions.

I love her even more because she refused to read a story about Paris Hilton getting out of jail.  This You Tube video has been viewed almost 4 million times.

Tina Fey is Entertainer of the Year

photo credit: Albert L. Ortega/ PR Photos

photo credit: Albert L. Ortega/ PR Photos

Newspaper editors and broadcast producers picked Ms. Fey as the AP  “entertainer of the year” beating out Robert Downey, Jr. and Heath Ledger.

I’d say she had a pretty good  year.

  • Baby Mama made $60 million.
  • She revitalized Saturday Night Live.
  • She helped take down a really awful vice presidential candidate.
  • Is on the cover of Vanity Fair (I know its the January 2009 issue but it did come out in 2008)
  • oh, yeah she also won 3 Emmys for 30 Rock.

She so rocks!
Tina Fey voted AP Entertainer of the Year

Meryl Talks about Mamma Mia’s Success

Meryl Streep in Mamma Mia!

Meryl Streep in Mamma Mia!

This site has been closely tracking the worldwide success of Mamma Mia! noting that it took down Titanic last week as the highest grossing movie in the UK.

David Carr (aka the NY Times Carpetbagger) who writes a blog about the awards season spoke to Streep about why Mamma Mia’s amazing success isn’t getting enough attention.

“No one writes about the fact this movie was bigger than the ‘Quantum of Solace.’” (That’s true not just in the U.K., but worldwide, where “Mamma Mia” has taken in more than $570 million, while the latest Bond — with a budget nearly four times as high — currently stands at $528 million.)

Ms. Streep relates this more in exasperation than in anger. “It doesn’t get the press, partly because it is perceived as a woman’s movie, but ‘Mamma Mia’ has buried, and I mean buried, all the conventional block busters.”

“That fact that it is going to make over $600 million is not that interesting to people who write about the business,”

Really, why aren’t people talking more about Mamma Mia’s success? Is it a girl thing? Who cares that it was a light, fun movie. It’s a huge hit.

Welcome

To the new location for Women & Hollywood. I’ll be working through the kinks over the holidays. IN the next week, I’ll be setting up the rss feed, the sidebars, some subpages, the blogroll, the newsletter signup etc.

Everyone please bookmark this location.

Thanks for your patience.

Sexism Watch: Fox to Create Show Called Bitches

This just came through and I couldn’t resist putting it up. The Fox Network is developing a drama called Bitches, “about a quartet of female friends in New York who are werewolves.” The show has received a script commitment and its from a guy names Michael Dougherty whose credits include the screenplay of X Men 2, Superman Returns, Trick r Treat and the upcoming I, Lucifer.

WTF? I find the show’s title incredibly offensive. Why can they get away with this crap?

Update: To me there is a difference between Bitch Magazine, a magazine created by feminist women to talk back or bitch about how pop culture treats women, and a TV show called Bitches which to me comes off as anti-woman. It just doesn’t pass my smell test.

Jackie Hoffman is One of the Funniest Women EVER

I’m a big fan of Jackie Hoffman. I’ve seen her holiday show that runs at Joe’s Pub in NYC a couple of times and I literally peed in my pants. I know that’s gross, but she is that funny. While she may not be the biggest star (and she should be) you may recognize her from Kissing Jessica Stein or have seen her on Broadway in Hairspray and Xanadu.

She’s taken some of the material from her recent shows and put them on a hysterically funny CD which is out now. Purchase her CD here. She can be seen at Joe’s Pub in NYC on December 22 and January 5. Info here.

She answered some questions for Women & Hollywood:

Women & Hollywood: You’re back at Joe’s Pub in NYC for another edition of your anti-holiday show. What is it about the holidays that brings out the worst in you?

Jackie Hoffman: The hypocritical obsession with all things warm and fluffy and children. The music that is shoved down my throat everywhere. If you’ve seen my show, I think you’d say that it brings out the best in me.

W&H: Your comedy is hysterical and bitter. Where does that come from?

JH: Right? My theory is all the taunting at the playground, and growing up the overweight girl with the big nose and crossed eyes.

W&H: You’ve been on Broadway in Hairspray and Xanadu. Any more shows on the horizon?

JH: Just mine as far as I know. That horizon is dying more by the minute

W&H: On your CD you make fun of your health issues. Tell us why you make fun of your fibroid and scare with cancer.

Because the irony is just too perfect. Someone who has the courage to speak out about not worshipping children, and then getting a gigantic tumor that resembled a pregnancy, and being rendered infertile. I couldn’t not talk about it.

W&H: You love to make fun of the Jews without making Jews feel defensive (which is hard). Why are the Jews such fodder for your comedy?

JH: Thank you. I just do what writers do, go with what I know. I was raised by and with very funny Jews. And some of the attitudes and characters that I’ve come across in my life are too good to pass up.

W&H: What’s next for you?

JH: I am taking my act on the road to different cities to promote this album. There is nothing like it out there, and I’m very proud of that.

DVD Watch: The Commander - Set One

I spent both Saturday and Sunday morning fixated on watching the English series The Commander (which was recommended by the Flickfilosopher several months ago.) The series totally rocks. The show debuted on ITV in Britain in 2003 starring Amanda Burton as Commander Clare Blake. Super awesome crime writer Lynda La Plante (who specializes in writing about women and also wrote the Prime Suspect series with Helen Mirren) gives us a strong female leader competing against the boys and holding her own. She just a tough and conniving as the guys and does quite a few shady and compromising things to keep her job. Some of her decisions are more than questionable — like falling in love with a man she put in jail ten years before for murdering his girlfriend, or sleeping with the boyfriend of a woman who works for her– but that’s typical of La Plante’s women.

Amanda Burton is fantastic. I also loved her in Silent Witness (a forensic CSI like show that ran on BBCA.) I guess I am a bit obsessed with British crime dramas that star women. They just seem to be so much better than ours.

If you have some downtown over the holidays and are looking for some good TV, check out The Commander. I got it on netflix. I can’t wait until they release the next series here in the US.

Review: Nothing But the Truth

Rod Lurie is one of the few guys who cares about writing really strong female characters. I fell in love with his complicated women back when Joan Allen played a hopeful vice-presidential candidate in The Contender. It continued through the too short TV show Commander in Chief that starred Geena Davis as the first female president of the United States.

In his latest film, Nothing But the Truth, a drama very loosely based on the Judith Miller going to jail to protect her source saga, Lurie again brings to the fore some seriously complicated women. Kate Beckinsale who shows acting skills here far beyond what has been demanded or frankly expected of her before, plays Rachel Armstrong an ambitious reporter at a Washington DC newspaper who blows the cover of a Valerie Plame like CIA operative. Vera Farmiga (one of the most interesting and versatile actresses around) plays the subject of the bombshell piece, a suburban mom/covert agent whose daughter just happens to be in the same class as Beckinsale’s son.

The outing of Erica Van Doren has devastating consequences for both women in the workplace and at home, illuminating the struggle of working moms everywhere albeit a bit more complicated than usual. Beckinsale’s Rachel is pressed to reveal her source and with her paper’s backing, she refuses and is jailed. Her ongoing battle to get out of jail and keep her source protected takes up the second half of the film as Rachel becomes a pawn in the legal battles between the government and the press. Lately it seems that the press has been losing these battles. The film shows the personal toll on Rachel and her family.

Farmiga shows the fear and terror with subtlety when she is outed and in that scene you can see her brain working trying to figure out how to make the oncoming avalanche stop knowing full well that she can’t. She then gets pissed not only for the fact that her career is now irrevocable changed, but also thinks about protecting her young daughter and her already disintegrating marriage. It’s a mess for everyone and that’s also what I like about Lurie’s women. They’re not perfect by any means. I don’t need women onscreen to be perfect or above reproach, I like to see them as complicated and realistic and that’s what Lurie gives us.

Check out the trailer:

Film opens in Limited release this week and wider in January.
Nothing but the Truth