Celluloid Ceiling 2008 Statistics- It Still Sucks for Women

The guru of women’s film stats, Dr. Martha Lauzen, Executive Director of The Center for Study of Women in TV and Film at San Diego State U, has released her annual study on the state of women behind the scenes in the film business.  In the coming days Dr. Lauzen will answer some questions about what is behind the numbers.

Here are the stats:

The following summary provides employment figures for 2008 and compares the most recent statistics with those from the last 10 years.  This study analyzed behind-the-scenes employment of 2,706 individuals working on the top 250 domestic grossing films (foreign films omitted) of 2008 with combined domestic box office grosses of approximately $9.4 billion.

Overall, in 2008, women comprised 16% of all directors, executive producers, producers, writers, cinematographers, and editors working on the top 250 domestic grossing films.  This represents a decline of 3 percentage points from 2001 and an increase of 1 percentage point from 2007

Findings
•    Twenty two percent (22%) of the films released in 2008 employed no women directors, executive producers, producers, writers, cinematographers, or editors.  No films failed to employ a man in at least one of these roles.

•    A historical comparison of women’s employment on the top 250 films in 2008 and 1998 reveals that the percentages of women directors and cinematographers have remained stable, whereas the percentages of women writers, executive producers, producers, and editors have declined slightly (see Figure 2).

•    Women comprised 9% of all directors working on the top 250 films of 2008. Ninety percent (90%) of the films had no female directors (see Figure 3).

•    Women accounted for 12% of writers working on the top 250 films of 2008. Eighty two percent (82%) of the films had no female writers.

•    Women comprised 16% of all executive producers working on the top 250 films of 2008 (see Figure 3).   Sixty five percent (65%) of the films had no female executive producers.

•    Women accounted for 23% of all producers working on the top 250 films of 2008.  Forty three percent (43%) of the films had no female producers.

•    Women accounted for 17% of all editors working on the top 250 films of 2008.  Seventy nine percent (79%) of the films had no female editors.

•    Women comprised 4% of all cinematographers working on the top 250 films of 2008. Ninety six percent (96%) of the films had no female cinematographers.

So, it looks like the numbers have increased a little this year but clearly, they are still very low.  Do you have any ideas on ways things can be improved for women behind the scenes on film?

Report compiled by Dr. Martha M. Lauzen, Executive Director, Center for the Study of Women in Television and Film, School of Theatre, Television and Film, San Diego State University, San Diego, CA, 92182, 619.594.6301

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