It’s still sinking in — the big Bigelow win — and I wanted to hear what other folks thought, so I reached out to women directors around the world at all levels of their careers and asked them what they thought and what it means for them. Thanks to everyone who responded. If other still want to respond, I’d be happy to add. I would love to get the reactions of the women who have been nominated previously and I am working on that — if you know Lina Wertmuller, or Sofia Copolla and can contact them (I already have a feeler out to Jane Campion), please email me — I’ll let you know if I hear from them.
Here are the women who participated in alphabetical order (check out their sites to learn about their work):
Allison Anders, director Gas, Food Lodging; Anne Bass, director- Dancing Across Borders; Tracy Lynch Britton, director, Melrose Place; Gabrielle Burton, Five Sisters Productions; Kathi Carey, director – Worth; Wendy Jo Carlton, director - Hannah Free; Jules Dameron; Katherine Dieckmann, director – Motherhood; Emily Dell, director- B-Girl; Rachel Feldman, director – Beyond the Break and Sisters; Carey Graeber, director- Rediscovering Dorothy; Rhianon Elan Gutierrez, director- When I’m Not Alone; Deborah Kampmeier, director-Hounddog; Aviva Kempner, director- Yoo-Hoo, Mrs. Goldberg; Alex Kondracke, director- GirlTrash; Barbara Kopple, director – Shut Up and Sing, Harlan County USA (Oscar winner); Sue Kramer, director – Gray Matters; Alexis Krasilovsky, Director – Women Behind the Camera; Kasi Lemmons, director- Eve’s Bayou; Suzanne O’Keefe, director- Full Serve; Shamim Sarif, director – The World Unseen; Nancy Schwartzman, director- Where is Your Line?; Dawn Scibilia, director- Home; Nell Scovell, director- It Was One of Us; Therese Shechter, director- I Was A Teenage Feminist; Amy Sewell, director- What’s Your Point, Honey?; Karen Skloss, director- Sunshine; Juanita Wilson, director – The Door (nominated for an Oscar) Continue reading ‘Women Directors React to the Bigelow Win’
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