
Elisabeth Moss as Peggy Olson
Last week the Wall Street Journal published a piece The Women Behind Mad Men hailing basically hailing the show as being dominated by women writers.
I’m a big fan of Mad Men and am looking forward to the new season starting this Sunday. But, one of the things I have learned since I started writing this site is to play close attention to titles because they mean a lot in Hollywood. So while I give props to Matthew Weiner the creator, showrunner and dominant writer and voice on the show for hiring women (cause there are shows out there that don’t have any women writers like Conan O’Brien and David Letterman), it is important to keep straight the roles these women play in the Hollywood writer food chain.
(We all know it is very bad out there for women writers in Hollywood. Look at my piece from earlier this week. Women make up about a quarter of all writers in Hollywood.)
Everyone knows this show is all about Matthew Weiner. It’s his baby. He first pitched it to HBO since he worked on The Sopranos and they passed. (I am sure they are kicking themselves now.) So it went to AMC and it was that network’s first original series and it put them on the map.
While on the big screen the writer gets the credit for actually writing the script, TV is very different. What all writers and producers on TV want is to get their names on an episode. That becomes their calling card and enables them to use it for their next gig.
In TV the most important writing job is executive producer. Here’s the rest of the hierachy: co-executive producer; supervising producer; consulting producer; producer, co-producer, associate producer, executive story editor, story editor, and staff writer.
So let’s look at the women featured in the story and their titles:
Lisa Albert – Supervising producer
Marti Noxon – Consulting Producer
Maria Jacquemetton- Consulting Producer
Dahvi Waller- Co-Producer
Robin Veith- Executive Story Edior
Cathryn Humphris- Executive Story Editor
Kater Gordon- Staff Writer
There are no women executive producers or co-executive producers on Mad Men. Those are the top jobs. For example on Grey’s Anatomy aside from Shonda Rhimes the creator and Betsy Beers the non writing executive producer, there is another female c0-executive producer (Krista Vernoff) and a female co-executive producer (Joan Rater.) Granted, Grey’s is a network show and has more writers and money.
I’m still not sold on Mad Men being a bastion a women’s influence. I never felt that while watching the show. Even though the article says 7 out of 9 writers are women (the list I have has 5 male writers but one might be a non-writing executive producer and 8 women), Weiner writes a lot and gets writing credit on most episodes of this show. In season 1 he has a writing credit on 7 out of 13 episodes. The women have writing credits in season 1 are: Maria Jacquemetton (3 episodes), Bridget Bedard, Lisa Albert and Robin Veith.
In season 2 he has a credit on 10 out of 13 episodes. The women with writing credits in season 2 are: Lisa Albert (2 episodes), Maria Jacquemetton (3 episodes), Robin Veith (3 episodes), Jane Anderson, Marti Noxon, Kater Gordon. Robin Veith is the only woman who has a singular writing credit on an episode.
So as we go into season 3 I will be looking at the writing credits and hoping that these women have an influence onscreen, but if the story is to be believed and women are leading the way in the writing of the show they should have the appropriate credits on the episodes and in their job titles.
Tags:
Mad Men,
Marti Noxon,
Matthew Weiner,
Shonda Rhimes,
Wall Street Journal
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