I knew nothing about Vendela Vida before I spoke with her a couple of weeks ago in conjunction with the release of her first film Away We Go which she co-wrote with husband Dave Eggers. (The film opens Friday and I liked it very much.) I very much enjoyed the conversation and am now going to make sure I read all her books which includes And Now You Can Go and Let the Northern Lights Erase Your Name. She also co-edits The Believer magazine.
Women & Hollywood: Talk about how the idea for writing this film came about.
Vendela Vida: It started in 2005 and I was pregnant with our first (we now have 2 children) and I basically started taking notes. As a writer that’s how I process the world. I go out and take notes of things that have happened. I was basically surprised when I was pregnant at how much it was an invitation to start talking to me about their experiences with pregnancy and birth and give me advice that I hadn’t necessarily asked for on how to raise my child. It was basically my way of processing other people’s reactions to pregnancy and also my own reaction.
I was taking these notes and a lot of them were about funny stuff I had overheard, conversations I had or things I read in books and didn’t quite know what to do with. I would come home and tell Dave and we would laugh about it and say that would be a funny scene in a movie so we just started experimenting with dialogue for these two characters. We knew the material lent itself more to a movie than a novel because there was so much dialogue. It felt very cinematic to us. We started writing scenes not expecting it to evolve into something we were just trying to make each other laugh. It kind of just went from there.
W&H: Had the two of you ever written together before?
VV: No. The screenplay format seemed to lend itself to the collaboration much more so than obviously a novel.
W&H: Did you write Verona intentionally as a mixed race woman?
VV: Yes we did and we wrote her with Maya Rudolph in mind. It was important to me that she be mixed race and it was also important that she and her partner not have any conversations between the two of them of her being mixed race. Other people could comment on it but it’s never an issue between Burt and Verona.
W&H: What’s the difference between writing fiction, non-fiction and film?
VV: I love writing dialogue and with film the pleasure and difficulty is that you are constricted by space. In a film you have to make sure the dialogue is advancing the plot. With a screenplay you are writing a skeletal outline and you know that the director and actors are going to bring so much more, whereas when you are writing a novel it is all on you. Every period is one you. Every quote is on you. It’s fun to do a collaboration especially because when you are writing a novel you are spending so much time with yourself in your room with your thoughts. I do love novels and they will always be my first love but this was a great experience especially because we started writing after I finished my novel Northern Lights Erase Your Name which is set in the Arctic circle. It’s kind of a dark novel in many ways so it was refreshing to write something more lighthearted.
Continue reading ‘Interview with Vendela Vida: Novelist and Co-Writer of Away We Go’
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