As the weather gets cooler, it’s the perfect time to spend an evening indoors with a great flick. And November promises a wide selection of women-centric and women-made films for just that occasion, including some much-anticipated blockbusters, documentaries, and even a holiday movie or two.
The month starts off with a slew of documentaries that are sure to captivate. An Independent Spirit Award nominee, Shevaun Mizrahi’s “Distant Constellation” (November 2) is a delightful portrait of some very colorful characters. Shot over six years with a one-woman crew, the film takes an intimate look at the community members in an Istanbul retirement home. Another November 2 release also paints an intimate portrait, this time of film legend Ingmar Bergman. Director Margarethe von Trotta takes us into his mind in “Searching for Ingmar Bergman.” Later this month, Shraysi Tandon’s “Invisible Hands” (November 23) gives audiences a closer look at the realities of child trafficking and labor, and confronts the systems of power that have done little to stop these barbaric practices.
November also brings some great independent pictures to the big screen. What started as a pilot writer-star Charlene deGuzman sent to Mark Duplass in a Twitter exchange soon turned into a feature-length film. “Unlovable” (November 1) is a touching and unique story of addiction, heartbreak, and connection. Carly Stone’s feature directorial debut, “The New Romantic” (November 9), is another indie release, and truly a tale for the Millennial and Gen-Z era: What does one do when they graduate from college with a mountain of debt and no clear life path?
For those seeking more drama, catch Rosamund Pike as the heroic real-life war correspondent Marie Colvin in “A Private War” (November 2). Meanwhile, Claire Foy takes on the role of Lisbeth Salander in “The Girl in the Spider’s Web” (November 9), the iconic badass created by novelist Stieg Larsson. Then comes “Widows” (November 16), a gripping story of four women who are forced together after the deaths of their criminal husbands. Written by Gillian Flynn and director Steve McQueen, this heist film stars Viola Davis, Michelle Rodriguez, Elizabeth Debicki, and Cynthia Erivo. One of the most anticipated releases of the year, “If Beale Street Could Talk” (November 30) is an adaptation of James Baldwin’s novel of the same name and tells the love story of Tish Rivers (KiKi Layne) and Fonny Hunt (Stephan James), and how their lives are forever changed when Fonny is falsely imprisoned.
If you’re looking for a film more suitable for a post-Thanksgiving feast, November promises a number of blockbusters fit for the whole family. Disney brings a classic ballet to life in “The Nutcracker and the Four Realms” (November 2). The live-action story follows Clara (Mackenzie Foy) as she goes on an adventure into the Four Realms, meeting a cast of beloved characters like the toy soldier (Jayden Fowora-Knight) and the Sugar Plum Fairy (Keira Knightley). Another big release delves back into the beloved fantasy world crafted by J.K. Rowling. “Fantastic Beasts: The Crimes of Grindelwald” (November 16), the sequel to the 2016 release, sees Newt Scamander (Eddie Redmayne) taking on a powerful dark force at the request of Albus Dumbledore (Jude Law).
Here are all of the women-centric, women-directed, and women-written films debuting in November. All descriptions are from press materials unless otherwise noted.
November 1
“Unlovable” – Directed by Suzi Yoonessi; Written by Charlene deGuzman, Sarah Adina Smith, and Mark Duplass (Available on VOD November 2)
After a suicide attempt, sex and love addict Joy (Charlene deGuzman) attends a 12-step meeting and gains a sponsor. Whilst initially struggling to remain clean for 30 days, she meets a socially inept musician named Jim (John Hawkes), and together they discover the beauty of platonic friendship, music, and self-expression.
November 2
“A Private War” (Opens in NY and LA; Opens Nationwide November 16)
“A Private War”
Based on the life of war correspondent Marie Colvin, “A Private War” stars Rosamund Pike as Colvin, a fierce journalist who thrusts herself into dangerous situations to share the stories she believes must be told. Despite surviving harrowing experiences and dealing with her resulting PTSD, Colvin was determined to report from the Syrian city Homs, which was still under siege in the aftermath of the Arab Spring. Together with war photographer Paul Conroy (Jamie Dornan), we follow Colvin on her last assignment.
“The Nutcracker and the Four Realms” – Written by Ashleigh Powell and Tom McCarthy
“The Nutcracker and the Four Realms”
All Clara (Mackenzie Foy) wants is a key — a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at Godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key, which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice, and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world.
“Searching for Ingmar Bergman” (Documentary) – Directed by Margarethe von Trotta, Bettina Böhler, and Felix Moeller; Written by Margarethe von Trotta and Felix Moeller (Opens in NY; Opens in LA November 9)
“Searching for Ingmar Bergman”
On the 100th anniversary of his birth, internationally renowned director Margarethe von Trotta examines Ingmar Bergman’s life and work with a circle of his closest collaborators as well as a new generation of filmmakers. This documentary presents key components of his legacy, as it retraces themes that recurred in his life and art and takes us to the places that were central to Bergman’s creative achievements.
“Distant Constellation” (Documentary) – Directed by Shevaun Mizrahi (Opens in NY)
A contemplative, gorgeous, and entirely sui generis documentary introduces us to the residents of a Turkish retirement home — a community made up of pranksters, historians, and artists — who reveal their stories for the camera, discussing distant sexual conquests, artistic pursuits put to an end by dimmed sight, and inescapable memories of war and genocide.
“The Other Side of the Wind” – Written by Oja Kodar and Orson Welles (Also Available on Netflix)
“The Other Side of the Wind”
A satire of Hollywood, “The Other Side of the Wind” focuses on the last days of a legendary film director named Jake Hannaford (John Huston), who is struggling to forge his last great comeback as a major filmmaker. Hannaford is hard at work on his final masterpiece, “The Other Side of The Wind.”
“Maria By Callas: In Her Own Words” (Documentary) (Opens in NY and LA)
“Maria by Callas” is the first film to tell the life story of the legendary Greek-American opera singer completely in her own words. Told through performances, TV interviews, home movies, family photographs, private letters, and unpublished memoirs — nearly all of which have never been shown to the public — the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
“Nobody’s Fool”
“Nobody’s Fool”
Trying to get back on her feet, wild child Tanya (Tiffany Haddish) looks to her buttoned-up, by the book sister Danica (Tika Sumpter) to help her get back on track. As these polar opposites collide — with hilarious and sometimes disastrous results — Tanya discovers that Danica’s picture-perfect life, including her mysterious boyfriend, may not be what it seems.
“Welcome to Mercy” – Written by Kristen Ruhlin (Also Available on VOD)
A young woman struggles against the unholy forces that possess her in this terrifying occult thriller. After being stricken with stigmata, single mother Madaline (Kristen Ruhlin) is sent to a remote convent where nothing is what it seems and her friend August (Lily Newmark) is seemingly the only person she can trust. Together, they must confront the demons inside Madaline before she becomes the Antichrist.
“The Holiday Calendar” (Available on Netflix)
A struggling but talented photographer (Kat Graham) inherits an antique holiday advent calendar, the contents of which seem to predict the future. Will this magical calendar lead her to love this holiday season?
“Prospect”
A teenage girl (Sophie Thatcher) and her father travel to a remote alien moon, aiming to strike it rich. They’ve secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon’s toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Forced to contend not only with the forest’s other ruthless inhabitants, but with her own father’s greed-addled judgement, the girl finds she must carve her own path to escape.
“Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” (Documentary) (Also Available on VOD)
The behind-the-scenes story of how the original Dallas Cowboys Cheerleaders became a controversial pop culture phenomenon at the height of the Sexual Revolution. With unprecedented access to director Suzanne Mitchell, the fiercely loyal “Godmother of modern cheerleading,” this documentary complicates the legend of the most iconic squad of cheerleaders in the world.
November 7
“Narcissister Organ Player” (Documentary) – Directed by Narcissister (Two Weeks Only in NY)
“Narcissister Organ Player”
A self-portrait by Narcissister, the Brooklyn-based performance artist whose work explores race, sexuality, and body image with infinite candor and grace. A former dancer, Narcissister’s live shows amuse, shock, confound, and enchant in equal measure. With familial roots that are Moroccan, Jewish, and African-American, she explores the intimacies of her relationship with a mother whose influence and support were critical in shaping the artist she is today. The double-ness of Narcissister’s stage personality — mostly naked, but with her face fully or partially masked — has its origins in the intensity of her identification with her mother.
November 9
“The Girl in the Spider’s Web”
“The Girl in the Spider’s Web”
Computer hacker Lisbeth Salander (Claire Foy) and journalist Mikael Blomkvist (Sverrir Gudnason) find themselves caught in a web of spies, cybercriminals, and corrupt government officials.
“Here and Now” – Written by Laura Eason (Also Available on VOD)
Vivienne (Sarah Jessica Parker), is an established singer-songwriter with a successful music career. On the eve of a major performance, Vivienne receives some life-altering news that causes her to reevaluate her priorities. As she crisscrosses the busy streets of New York City, she tries to balance her upcoming music tour, family, and friends. With the support of her overbearing mother (Jacqueline Bisset), her long-time manager (Common), and her ex-husband (Simon Baker), Vivienne strives to make peace with the decisions and sacrifices she’s made along the way.
“The Long Dumb Road” – Directed by Hannah Fidell; Written by Hannah Fidell and Carson Mell (Available on VOD November 16)
“The Long Dumb Road”
Nat (Tony Revolori), an aspiring photographer, is heading towards a bright future in art school in Los Angeles and wants to find the real America en route to new beginnings out West; Richard (Jason Mantzoukas), a lovably unkempt motormouth, is simply looking for connection in the moment — and maybe a beer or 10 — while he grapples with indecision, past mistakes, and dead-ends. As they travel through the American Southwest, taking in picturesque towns and crossing paths with an assortment of old flames, fellow travelers, kooky cons, and Good Samaritans, both passengers come alive through the myriad possibilities of the open road.
“Liz and the Blue Bird” – Directed by Naoko Yamada; Written by Reiko Yoshida
In this animated film, Mizore Yoroizuka (Atsumi Tanezaki) and Nozomi Kasaki (Nao Toyama) are a pair of best friends in their final year of high school. They’re both obsessed with the school’s brass band club. With Mizore on the oboe and Nozomi on the flute, they spend their days in happiness — until the club begins to practice songs inspired by the fairy tale “Liz und ein Blauer Vogel” — “Liz and the Blue Bird.” Immersed in this story, Mizore and Nozomi begin to realize that there may be no such thing as being together forever. (Anime News Network)
“The New Romantic” – Written and Directed by Carly Stone (Available on VOD November 13)
“The New Romantic”
Frustrated with the lack of chivalrous guys her own age, a college senior gives up on dating for love to date an older man in exchange for gifts instead.
“Pimp” – Written and Directed by Christine Crokos (Also Available on VOD)
Born into the Pimp Game, a struggling female pimp, Wednesday (Keke Palmer), hustles for a chance at a better life. When her girlfriend, Nikki (Haley Ramm), hits the streets to change their luck, Wednesday’s game starts to rise and so do her stable of girls. On her epic journey of survival of the fittest, Wednesday comes face to face with a male pimp (Edi Gathegi) who plays a much more dangerous game. In a ferocious battle for street power, Wednesday fights to survive, risking her dream of ever getting out.
“Outlaw King” – Written by Bathsheba Doran, Mark Bomback, David Harrower, James MacInnes, and David Mackenzie (Also Available on Netflix)
“Outlaw King”
“Outlaw King” tells the untold, true story of Robert the Bruce (Chris Pine), who transforms from defeated nobleman to outlaw hero during the oppressive occupation of medieval Scotland by Edward I of England. Despite grave consequences, Robert seizes the Scottish crown and rallies an impassioned group of men to fight back against the mighty army of the tyrannical King and his volatile son, the Prince of Wales (Billy Howle).
“Lez Bomb” – Written and Directed by Jenna Laurenzo
A holiday comedy about a woman (Jenna Laurenzo) who comes home with life-changing news. As it turns out, there is no good time to drop the Lez Bomb.
“The Divide” – Written by Jana Brown
Set in drought-plagued Northern California in 1976, “The Divide” chronicles the story of Sam Kincaid (Perry King), an aging rancher with a failing memory, his estranged and independent-minded daughter, Sarah (Sara Arrington), and Luke (Bryan Kaplan), a young ranch hand who finds himself in the midst of a family in crisis. Internal struggles, the realities of an unforgiving landscape, and the need to reconcile a long-ago tragedy collide to create the backdrop for this American Western.
November 15
“Jinn” – Written and Directed by Nijla Mumin (Available on VOD November 16)
“Jinn”
Summer (Zoe Renee) is a 17-year-old, carefree black girl, whose world is turned upside down when her mother, a popular meteorologist named Jade Jennings (Simone Missick), abruptly converts to Islam and becomes a different person, prompting Summer to reevaluate her identity.
“May the Devil Take You” (Available on Netflix)
When their father suffers from a mysterious illness, Alfie (Chelsea Islan), her step-siblings, and stepmother return to an old family villa and uncover a terrifying secret about their father’s demonic pact. A broken promise threatens a gruesome end to her family, and Alfie realizes that she’s the only one who can pay the debt.
November 16
“Widows” – Written by Gillian Flynn and Steve McQueen
“Widows”
A blistering, modern-day thriller set against the backdrop of crime, passion, and corruption. “Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez), and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.
“Mobile Homes”
A young mother (Imogen Poots) drifts from one motel to the next with her intoxicated boyfriend and her eight-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.
“55 Steps” (Also Available on VOD)
“55 Steps”
“55 Steps” is the life affirming true story of an unexpected friendship forming during a fight for patients’ rights against seemingly impossible odds. When Eleanor Riese (Helena Bonham Carter) discovers that the medication she is being given at St. Mary’s Psychiatric Hospital in San Francisco is damaging her physically, she hires patients’ rights lawyer Colette Hughes (Hilary Swank). With the help of expert attorney Mort Cohen (Jeffrey Tambor), the two try to defeat St. Mary’s in court while the indefatigable Eleanor and Collette become best of friends; a friendship where the colorful psychiatric patient Eleanor teaches the work-obsessed Collette a thing or two about life itself.
“Fantastic Beasts: The Crimes of Grindelwald” – Written by J.K. Rowling
At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
“At Eternity’s Gate” – Written by Louise Kugelberg, Jean-Claude Carriere, and Julian Schnabel
“At Eternity’s Gate”
“At Eternity’s Gate” is a journey inside the world and mind of a person who, despite skepticism, ridicule, and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.
“Family in Transition” (Documentary) (Opens in LA; Opens in NY November 23)
“Family in Transition”
The story of the only family in Nahariya, a small traditional town in Israel, whose lives change completely after their father announces that he’s transitioning to become a woman. Their mother chooses to stay with her spouse through the whole process but, just as it seems that life is back to normal, she takes a sharp turn and shakes everything up again. This is a story about a family that does not follow dictates; a family that breaks social conventions; a family that changes what we thought we knew about gender, parity, parenthood, and being transgender. But most of all, it is a story about a family that redefines the limits of recognition, acceptance, and love of those closest to us.
“Under the Wire” (Documentary)
In February of 2012, war correspondent Marie Colvin illegally crossed the border into Syria with her photographer, Paul Conroy. Ignoring the government’s refusal to allow foreign journalists into the country, the two were among the first to attempt to cover the story of civilians trapped in the besieged city of Homs, where they found a ravaged war zone that only one of them would ultimately survive. Grippingly recounting their moment-by-moment journey into Homs, “Under the Wire” is a chilling tribute to the courageous bravery that led Colvin and Conroy to their final mission together.
“The Princess Switch” – Written by Robin Bernheim and Megan Metzger (Available on Netflix)
One week before Christmas, Margaret, the gorgeous Duchess of Montenaro, switches places with Stacy (Vanessa Hudgens), a “commoner” from Chicago, who looks exactly like her. With the assistance of a magical Santa’s helper, Margaret falls in love with Stacy’s handsome co-worker, while Stacy falls in love with Margaret’s fiancé, the dashing Prince.
November 21
“¡Las Sandinistas!” (Documentary) – Directed by Jenny Murray (Two Weeks Only in NY)
“¡Las Sandinistas!”
This is the untold story of the women who fought in war on the front lines of Nicaragua’s Sandinista revolution to bring about social and political reform. Despite their sacrifice, battlefield victories, and in many cases extraordinary leadership and power during the revolution’s early days, their battle for equality continues to this day.
“Ralph Breaks The Internet: Wreck-It Ralph 2” – Written by Pamela Ribon
“Ralph Breaks the Internet”
In the animated “Ralph Breaks the Internet,” video-game bad guy Ralph (John C. Reilly) and best friend Vanellope von Schweetz (Sarah Silverman) leave the comforts of Litwak’s arcade in an attempt to save her game, Sugar Rush. Their quest takes them to the vast, uncharted world of the internet where they rely on the citizens of the internet — the Netizens — to help navigate their way. Lending a virtual hand are Yesss (Taraji P. Henson), the head algorithm and the heart and soul of the trend-making site “BuzzzTube,” and Shank (Gal Gadot), a tough-as-nails driver from a gritty online auto-racing game called Slaughter Race, a place Vanellope wholeheartedly embraces — so much so that Ralph worries he may lose the only friend he’s ever had.
November 23
“The Favourite” – Written by Deborah Davis and Tony McNamara
“The Favourite”
Set in the early 18th century, we take a closer look at the reign of Queen Anne (Olivia Colman), now a temperamental ruler in poor health. Her friend, Lady Sarah (Rachel Weisz), helps her with the day-to-day demands of the kingdom. When a new servant named Abigail (Emma Stone) comes to work for them, Sarah takes her under her wing, and Abigail quickly becomes close to the Queen. But Abigail has loftier ambitions than being a servant, and she will do whatever it takes to see them fulfilled.
“Becoming Astrid” – Directed by Pernille Fischer Christensen; Written Pernille Fischer Christensen and Kim Fupz Aakeson (Opens in NY and LA)
“Becoming Astrid”
The teenaged Astrid Lindgren (Alba August) leads a carefree life with her family in rural Sweden. Eager to break free from her strict religious upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen). When Astrid becomes pregnant, she is forced to leave her childhood home for Copenhagen to secretly give birth to a son, Lasse, whom she reluctantly leaves with a foster mother, Marie (Trine Dyrholm). Astrid goes into self-imposed exile in Stockholm, refusing Blomberg’s offer of marriage but saving up her paltry salary for visits to see her son. When Marie falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. In spite of her struggles, she emerges with a newfound courage that will form the foundation of a vast and beloved body of work.
“Write When You Get Work” – Written and Directed by Stacy Cochran (Opens in NY)
“Write When You Get Work”
“Write When You Get Work” is a thorny romantic comedy set in New York City — at a private school for girls, and in the world outside its exclusive walls. It’s a story of money, access, and mischief, of who gets in through doorways and how. Ruth Duffy (Rachel Keller) is a woman working to put her tumultuous days behind her and establish a career on the lower rungs of the Upper East Side. Jonny Collins (Finn Wittrock) is the man she least wants to see, but whose efforts to infiltrate her life seem unimpeded by locks or windows. And Nan Noble (Emily Mortimer) is a member of the entitled class whose pronouncements reveal the fears and cluelessness of life on the inside.
“Invisible Hands” (Documentary) – Directed by Shraysi Tandon; Written by Shraysi Tandon and Chad Beck (Opens in NY; Opens in LA November 30)
“Invisible Hands” exposes child labor and child trafficking within the supply chains of the world’s biggest corporations, which produce some of our most loved items. The film offers a harrowing account of children as young as five years old making the products we buy and consume every day. Chilling undercover footage shows children being sold like animals to the highest bidder and others being abused by this pervasive slave labor. “Invisible Hands” digs deep into a modern slavery system quietly supported by some of the world’s largest companies, demanding to know why top stakeholders continue to engage in this unlawful practice.
November 29
“Meow Wolf: Origin Story” (Documentary) – Directed by Morgan Capps and Jilann Spitzmiller; Written by Morgan Capps, Jilann Spitzmiller, and Christina Procter
A group of artists in Santa Fe, NM become a DIY collective called Meow Wolf. Their immersive, large-scale exhibitions crack open a profitable niche in the arts industry, even as their social mission is challenged by the demands of rapid success. The group’s members navigate fracture and loss for years in pursuit of their idealistic vision. When they spark the interest of George R. R. Martin and receive his support to take over an old bowling alley, Meow Wolf builds a massive exhibition with over 140 artists working at a breakneck pace. With the wild success of the House of Eternal Return, Meow Wolf now faces its own internal turmoil as it begins to change the lives of creatives everywhere.
November 30
“If Beale Street Could Talk”
“If Beale Street Could Talk”
Set in early-1970s Harlem, “If Beale Street Could Talk” is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé, Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.
“Happy as Lazzaro” – Written and Directed by Alice Rohrwacher (Also Available on Netflix)
“Happy as Lazzaro”
Lazzaro (Adriano Tardiolo) is a naive and optimistic 20-year-old farmer; Tancredi (Luca Chikovani) is instead a young man with a fervid imagination. Between the two an unexpected friendship is born, one that turns out to be an important moment of growth for Lazzaro. Over time, the two face many difficulties together, until Tancredi makes his way to the city, and Lazzaro sets out to search for him.
“A Christmas Prince: The Royal Wedding”– Written by Robin Bernheim and Nathan Atkins (Available on Netflix)
A year after Amber (Rose McIver) helped Richard (Ben Lamb) secure the crown, the two are set to tie the knot in a royal Christmas wedding — but their plans are jeopardized when Amber finds herself second-guessing whether or not she’s cut out to be queen, and Richard is faced with a political crisis that threatens to tarnish not only the holiday season, but the future of the kingdom.
“The Possession of Hannah Grace”
A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed (Shay Mitchell) is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.
“Anna and the Apocalypse”
“Anna and the Apocalypse”
A zombie apocalypse threatens the sleepy town of Little Haven — at Christmas — forcing Anna (Ella Hunt) and her friends to fight, slash, and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.
