Festival Interviews with Women Directors – Cannes
2022
- Romane Gueret & Lise Akoka – “The Worst Ones” (“Les Pires”)
- Charlotte Vandermeersch – “The Eight Mountains”
- Emily Atef – “More Than Ever” (“Plus Que Jamais”)
2021
- Kira Kovalenko – “Unclenching the Fists”
- Luàna Bajrami – “The Hill Where Lionesses Roar”
- Antoneta Alamat Kusijanovic – “Murina”
- Nathalie Álvarez Mesén – “Clara Sola”
- Sandrine Kiberlain – “A Radiant Girl”
- Mina Mileva and Vesela Kazakova – “Women Do Cry”
- Anaïs Volpé – “The Braves”
- Teodora Ana Mihai – “La Civil”
- Anita Rocha da Silveira – “Medusa”
2019
- Alice Furtado – “Sick, Sick, Sick”
- Maryam Touzani – “Adam”
- Sofía Quirós – “Ceniza Negra”
- Shahrbanoo Sadat – “The Orphanage”
- Danielle Lessovitz – “Port Authority”
- Melina León – “Song Without a Name”
2018
- Margarethe von Trotta – “Searching for Ingmar Bergman”
- Agnieszka Smoczyńska – “Fugue”
- Rohena Gera – “Sir”
- Pamela B. Green – “Be Natural: The Untold Story of Alice Guy-Blaché”
- Debra Granik – “Leave No Trace”
- Beatriz Seigner – “Los Silencios”
- Marie Monge – “Treat Me Like Fire”
- Marta Bergman – “Alone At My Wedding”
2017
- Natalia Santa – “La Defensa del Dragón”
- Cecilia Atan and Valeria Pivato – “The Desert Bride”
- Bonni Cohen – “An Inconvenient Sequel: Truth to Power”
- Chloé Zhao – “The Rider”
- Marcela Said – “Los Perros”
- Léa Mysius – “Ava”
- Valeska Grisebach – “Western”