Films About Women Opening This Week
Resident Evil: The Final Chapter
Picking up immediately after the events of “Resident Evil: Retribution,” Alice (Milla Jovovich) is the only survivor of what was meant to be humanity’s final stand against the undead. Now, she must return to where the nightmare began: the Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. (Press materials)
Sophie and the Rising Sun — Written and Directed by Maggie Greenwald
Set in the autumn of 1941 in a fishing village in South Carolina, “Sophie and the Rising Sun” tells the compelling story of interracial lovers, Sophie Willis and Grover Ohta (Julianne Nicholson and Takashi Yamaguchi), swept up in the tides of history. As World War II rages in Europe, Mr. Ohta appears in town badly beaten under mysterious circumstances. Sophie quickly becomes transfixed by Mr. Ohta, and a friendship born of their mutual love of art blossoms into a delicate and forbidden courtship. As their secret relationship evolves, the war escalates tragically. And when Pearl Harbor is bombed, a surge of misguided patriotism, bigotry, and violence sweeps through the town, threatening Mr. Ohta’s life. (Press materials)
Read Maggie Greenwald’s guest post on Women and Hollywood.
Find screening info here.
The Lure — Directed by Agnieszka Smoczynska (Opens February 1 in NY)
In this bold, genre-defying horror-musical mashup, a pair of carnivorous mermaid sisters (Marta Mazurek and Michalina Olszanska) are drawn ashore in an alternate ’80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original “Little Mermaid” tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. (Press materials)
Find screening info here.
The Woman in the Septic Tank 2
Eugene Domingo is back as “Eugene Domingo” in this much-anticipated follow-up to the independent box-office hit movie, “Ang Babae sa Septic Tank.” Together with her director/writer (Kean Cipriano), her line producer (Cai Cortez) and their rookie production assistant (Khalil Ramos), Eugene prepares for her comeback vehicle after a long sabbatical from movie-making. Rainier proposes “The Itinerary,” a heartbreaking anatomy of a crumbling marriage as told through a couple’s trip to Baguio, their former honeymoon location. Eugene Domingo is excited by the project but she has other ideas in mind. In the film-within-the-film, we see Eugene’s absurd suggestions and recommendations — changing Rainier’s script by employing the poetics of the Pinoy romantic comedy genre into what is supposedly a realistic portrayal of love and marriage. (Press materials)
Find screening info here.
Films About Women Currently Playing
Starless Dreams (Documentary)
Bakery in Brooklyn
20th Century Women
Underworld: Blood Wars — Directed by Anna Foerster
Hidden Figures — Co-Written by Allison Schroeder
Toni Erdmann — Written and Directed by Maren Ade (Opens in NY and LA)
Rogue One: A Star Wars Story
The Bad Kids (Documentary)
Julieta
Jackie
Things to Come — Written and Directed by Mia Hansen-Løve
Moana — Co-Written by Pamela Ribon
Arrival
The Love Witch — Written and Directed by Anna Biller
Elle
The Eagle Huntress
The Handmaiden
Films Directed by Women Opening This Week
None.
Films Directed by Women Currently Playing
The Bye Bye Man — Directed by Stacy Title
Vince Giordano: There’s a Future in the Past (Documentary) — Co-Written and Co-Directed by Amber Edwards
Films Written by Women Opening This Week
A Dog’s Purpose — Written by Cathryn Michon
“A Dog’s Purpose” shares the soulful and surprising story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love. (Press materials)
I Am Michael — Co-Written by Stacey Miller (Also Available on VOD)
In 2007, Michael Glatze (James Franco), the gay-rights advocate who embodied queer identity, shocked his friends and followers when he publicly renounced his homosexuality. What could have led to such an extreme change of belief? “I Am Michael” depicts the years when an idealistic Michael, with his long-term partner, empowered a new generation of gay youth through their writing and films. When a nerve-racking brush with death triggers his need to reconcile faith and sexuality, Michael embarks on a zealous search for answers that eventually leads him to Christianity and the absolute conviction that “homosexuality is death.” (Sundance Institute)
Films Written by Women Currently Playing
The Red Turtle — Co-written by Pascale Ferran
The Resurrection of Gavin Stone — Written by Andrea Gyertson Nasfell
The Sunshine Makers (Documentary) — Co-written by Connie Littlefield
Alone in Berlin — Co-Written by Bettine von Borries (Also Available on VOD)
Sleepless — Co-Written by Andrea Berloff
Office Christmas Party — Co-Written by Laura Solon
Fantastic Beasts and Where to Find Them — Written by J.K. Rowling
Bad Santa 2 — Co-Written by Shauna Cross
Miss Peregrine’s Home for Peculiar Children — Written by Jane Goldman
TV Premieres This Week
Z: The Beginning of Everything — Created by Dawn Prestwich and Nicole Yorkin (Premieres January 27 on Amazon)
Based on the life of Zelda Sayre Fitzgerald, played by Christina Ricci (“Monster”). The story starts before the brilliant, beautiful, and talented Southern Belle meets then-unpublished writer F. Scott Fitzgerald (Gavin Stenhouse/David Hoflin) and moves through their turbulent love affair and their marriage. (Press materials)
Ronja, the Robber’s Daughter (Premieres January 27 on Amazon)
“Ronja, the Robber’s Daughter” is presented by Studio Ghibli and narrated by Gillian Anderson. The daughter of a professional robber, Ronja (Teresa Gallagher) realizes the complicated nature of her father’s profession when she befriends Birk (Kelly Adams), the child of a rival tribe. She struggles to balance this friendship with her family relationship but comes to understand that differences can be overcome with the help of love and understanding. (Press materials)
555 (Anthology Series) — Co-Created by Kate Berlant (Premieres January 31 on Vimeo)
“555” is an anthology miniseries of five short films that unfold in a stark, humid, surreality of Hollywood. These short, cinematic fairy tales are set in tinsel town, where status is everything and the stakes are high. The backdrop is big dreams, and in the foreground, the humiliations of clawing one’s way toward them. (Press materials)
Powerless (Premieres February 2 on NBC)
Emily Locke (Vanessa Hudgens) lands her dream job as Director of Research and Development for Wayne Security in Charm City, home to superheroes and villains and citizens fed up with the collateral damage of their constant fighting. Full of confidence and big ideas, Emily quickly learns that her aspirations far exceed those of her new boss (Alan Tudyk) and officemates (Danny Pudi, Christina Kirk, and Ron Funches), so it will be up to her to lead the team toward their full potential and the realization that you don’t need superpowers to be a hero. (Press materials)
VOD/DVD Releasing This Week
The Monster (DVD, Available Now)
The Handmaiden (DVD/VOD, Available Now)
I’m Not Ashamed — Written by Philipa A. Booyens, Robin Hanley, Kari Redmond, and Bodie Thoene (DVD/VOD, Available Now)
Antibirth (Netflix, January 30)
The Watermelon Woman — Written and Directed by Cheryl Dunye (DVD/VOD, January 31)
Dr. Feelgood: Dealer or Healer? — Directed by Eve Marson; Co-written by Eve Marson and Sara Goldblatt (VOD, January 31)
Mother with a Gun (Documentary) (Netflix, January 31)
Women and Hollywood in the News
Why are some people peeved about Casey Affleck’s Oscar nomination? (USA Today)
Oscar nominations 2017: Diversity is not a simple black-or-white issue (USA Today)
Picks of the Week from Women and Hollywood
Oscar 2017 Nominations: #OscarsSoWhite Gets a Slight Makeover
On Women and Hollywood This Week
“The Salesman” Star to Boycott Oscars in Protest of Trump’s Visa Ban
Quote of the Day: DP Nancy Schreiber on Opening Doors for Other Women
Trailer Watch: Dakota Fanning Takes on a Dangerous Preacher in “Brimstone”
Watch: Samantha Bee Discusses the Women’s March on “Full Frontal”
Support Female Cinematographers: Recommendations for 2017 Viewing
Trailer Watch: A Doctor Saves Lives Around the World in “The Resilient Heart”
What Mary Tyler Moore Meant to Me
“Carrie Pilby” Gets a Release Date
Refinery29 & TNT Team Up for Return of Women-Focused Shatterbox Anthology
Sundance Sales for Women-Centric “Patti Cake$” and “The Incredible Jessica James”
César Nominations Recognize Existence of Women Directors
Sundance Deals: Sales for Women-Directed “Landline,” “To the Bone,” & More
Daisy Ridley to Play a Spy in “A Woman of No Importance”
Jessie Auritt’s “Supergirl” Acquired by FilmRise
IDA Creates New Fund for Feature-Length Docs
Laura Nix Honored as the 2017 Sundance Institute and Discovery Impact Fellow
Pilot Updates: Pilot Order for Diablo Cody, Script Commitment for “Witchblade”
Gina Prince-Bythewood to Direct “Marvel’s Cloak and Dagger” Pilot for Freeform
Trailer Watch: Jewish Comedians Get “The Last Laugh”
Amid Feminist Protests, Roman Polanski Declines César Awards Position
Gita Pullapilly and Aron Gaudet to Direct Their Black List Script “Crook County”
“Fresh Off the Boat” Team Secures Pilot Order from NBC for Family Comedy
Sundance 2017 Women Directors: Meet Zoe Lister-Jones — “Band Aid”
Sofia Vergara to Pursue Latin American Stories with New Mobile Platform Raze
Sundance Deals: “Novitiate,” “Fun Mom Dinner,” and “The Big Sick” Find Homes
Casting News: Anne Hathaway Gets “Nasty,” “UnREAL” Finds Female Suitor
Sundance 2017 Women Directors: Meet Barbara Kopple — “This is Everything: Gigi Gorgeous”
Megan Ellison’s Annapurna Pictures Launches Distribution and Marketing Op
Roman Polanski’s César Awards Honor Inspires Protest from Feminist Groups
Trailer Watch: Melanie Lynskey is a Vigilante in “I Don’t Feel at Home in This World Anymore”
Sundance 2017 Women Directors: Meet Pamela Yates — “500 Years”
Sundance 2017 Women Directors: Meet Jennifer Brea — “Unrest”
Sundance 2017 Women Directors: Meet Sydney Freeland — “Deidra & Laney Rob a Train”
Sundance 2017 Women Directors: Meet Marti Noxon — “To the Bone”
Sundance 2017 Women Directors: Meet Amanda Kernell — “Sami Blood”
Sundance 2017 Women Directors: Meet Catherine Bainbridge — “Rumble: The Indians Who Rocked the World…”
Sundance 2017 Women Directors: Meet Pascale Lamche — “Winnie”
Sundance 2017 Women Directors: Meet Rory Kennedy — “Take Every Wave: The Life of Laird Hamilton”
Sundance 2017 Women Directors: Meet Lone Scherfig — “Their Finest”
CINEMATOGRAPHERS XX Members Make Their Mark on Sundance 2017
Sundance 2017 Women Directors: Meet Janicza Bravo — “Lemon”
ABC in Early Talks for “Black-ish” Spinoff Starring Yara Shahidi
Sundance 2017 Women Directors: Meet Ramona S. Diaz — “Motherland”
Jane Green’s “The Beach House” to Receive Film Adaptation
Octavia Spencer Named Hasty Pudding Woman of the Year
Sundance 2017 Women Directors: Meet Michelle Latimer — “Rise”
Seed&Spark Launches #100DaysOfDiversity Initiative
Teaser Watch: Kitty Green’s “Casting JonBenét” Will Give You Goosebumps
Sundance 2017 Women Directors: Meet Ry Russo-Young — “Before I Fall”
ABC Releases “Scandal” Web Series Created and Directed by Darby Stanchfield
Weekly Reads from Around the Internet
How Mary Tyler Moore Subverted TV Sexism with a Pair of Capris by Yohana Desta (Vanity Fair)
The Oscars Rarely Celebrate Women Filmmakers. Sundance is Trying to Change That. by Alissa Wilkinson (Vox)
No More Nerds, Sex Bombs: Female Animators Draw Away Clichés by John Rogers (Salon)
Mike Mills on Geminis, Judy Blume, and his own 20th Century Women by Rachel Handler (MTV)
How Carrie Fisher Became the Surprising Face of the Rebellion Against Trump by Joanna Robinson (Vanity Fair)
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