Films, Music, News

Female Music Execs “Step Up,” Push for Recording Academy Prez Neil Portnow’s Resignation

Caron Veazey is one of the women calling for Portnow to step down: Instagram

Women have always stepped up, no matter what Recording Academy president Neil Portnow thinks or says. In fact, women are stepping up once more in an effort to revitalize the Recording Academy’s leadership. Variety reports that many female execs in the music industry are banding together and pushing for Portnow to resign.

Women like Pharrell Williams’ manager Caron Veazey, John Legend’s manager Ty Stiklorius, music-business attorney Rosemary Carroll, and agents Cara Lewis, Natalia Nastaskin, and Marsha Vlasic have signed an open letter taking Portnow to task and detailing the massive gender disparity in music.

(They’re not the only ones pressing for Portnow to step down: A care2 petition calling for Portnow’s resignation — and shared by Vanessa Carlton — has over 13,000 signatures. Plus, other female artists like P!nk, Katy Perry, Kelly Clarkson, and Charli XCX have also voiced their disdain of Portnow’s remarks.)

Even for the Grammys — where, in recent years, women have accounted for less than 10 percent of the top awards’ nominees — the 2018 ceremony was quite the sausage party. Alessia Cara was the only woman to win a solo prize. And Lorde, the only female Album of the Year contender, wasn’t given the opportunity to perform solo, unlike her male counterparts. Sunday night’s awards were dubbed #GrammysSoMale.

When Variety asked Portnow about the gender discrepancy, his response was jaw-dropping: “[Women] who want to be musicians, engineers, producers, and want to be part of the industry on the executive level [need] to step up.”

Right, because we’ve just been resting on our laurels until now.

Pressuring Portnow to leave his post, the women music execs’ letter begins, “The statement you made this week about women in music needing to ‘step up’ was spectacularly wrong and insulting and, at its core, oblivious to the vast body of work created by and with women.” It continues, “Your most recent remarks do not constitute recognition of women’s achievements, but rather a call for men to take action to ‘welcome’ women. We do not await your welcome into the fraternity. We do not have to sing louder, jump higher, or be nicer to prove ourselves.”

The letter also cites the Inclusion Initiative’s recent study about popular music’s gender and racial demographics. The authors reiterate that women represented just 16.8 percent of popular songs’ artists in 2017, that the ratio of male to female music producers is 49 to 1, and other figures before stating the obvious: “Women comprise 51 percent of the population.”

“We are here not to merely reprimand you, but to shed light on why there is such an outcry over your comments and remind you of the challenges that women face in our country and, specifically, in the music industry,” the letter concludes. “Your comments are another slap in the face to women, whether intended or not; whether taken out of context, or not … Time’s up, Neil.”

The female execs’ full letter to Portnow is below, courtesy of Variety.

Dear Mr. Neil Portnow,

The statement you made this week about women in music needing to “step up” was spectacularly wrong and insulting and, at its core, oblivious to the vast body of work created by and with women. Your attempt to backpedal only emphasizes your refusal to recognize us and our achievements. Your most recent remarks do not constitute recognition of women’s achievements, but rather a call for men to take action to “welcome” women. We do not await your welcome into the fraternity. We do not have to sing louder, jump higher or be nicer to prove ourselves.

We step up every single day and have been doing so for a long time. The fact that you don’t realize this means it’s time for you to step down.

Today we are stepping up and stepping in to demand your resignation.

The stringent requirements for members of NARAS to vote reflect the distorted, unequal balance of executives and creators in our industry. There is simply not enough opportunity and influence granted or accessible to women, people of color and those who identify as LGBTQ. We can continue to be puzzled as to why the Grammys do not fairly represent the world in which we live, or we can demand change so that all music creators and executives can flourish no matter their gender, color of their skin, background or sexual preference.

Let’s take a look some facts, most of which are courtesy of a recent report on Inclusion in Popular Music from USC Annenberg School for Communication and Journalism division:

  • In 2017, 83.2% of artists of popular songs were men and 16.8% were women, a 6 year low for female artists.
  • A total of 899 individuals were nominated for a Grammy Award between 2013 and 2018. A staggering 90.7% of these nominees were male and 9.3% were female.
  • Fewer than 10% of the nominees for Record or Album of the Year were female.
    Over the last six years, zero women have been nominated as producer of the year.
  • Of the 600 top songs from 2012 to 2017,of the 2,767 songwriters credited, 87.7% were male and 12.3% were female.
  • The top nine male songwriters claim almost 1/5th (19.2%) of the songs in the 6 year sample.
  • The gender ratio of male producers to female producers is 49 to 1.
  • Only 2 of 651 producers were females from an underrepresented racial/ethnic group.
  • 42% of artists were from underrepresented racial/ethnic groups.
  • The top male writer has 36 credits, the top female writer has 15 credits.
  • Of the newly released Billboard Power 100, 18% were women.
  • In publishing history, there has been only 1 female CEO and 1 male of color CEO. They currently hold these positions.
  • The position of President of a Label, is currently only held by one woman of color.

WOMEN COMPRISE 51% OF THE POPULATION.

We are here not to merely reprimand you, but to shed light on why there is such an outcry over your comments and remind you of the challenges that women face in our country and, specifically, in the music industry. Your comments are another slap in the face to women, whether intended or not; whether taken out of context, or not. Needless to say, if you are not part of the solution, then you must accept that YOU are part of the problem.

Time’s up, Neil.

Respectfully,
Marcie Allen, MAC Presents
Gillian Bar, Carroll Guido & Groffman, LLP
Renee Brodeur, Tmwrk
Rosemary Carroll, Carroll, Guido & Groffman, LLP
Kristen Foster, PMK-BNC
Jennifer Justice, Superfly Presents
Renee Karalian, Carroll, Guido & Groffman, LLP
Cara Lewis, Cara Lewis Group
Corrie Christopher Martin, Paradigm Talent Agency
Natalia Nastaskin, UTA
Elizabeth Paw, Carroll, Guido & Groffman, LLP
Carla Sacks, Sacks & Co.
Ty Stiklorius, Friends at Work
Lou Taylor, Tri Star Sports and Entertainment Group
Beka Tischker, Wide Eyed Entertainment
Marlene Tsuchii, CAA
Caron Veazey, Manager- Pharrell Williams
Katie Vinten, Warner Chappell
Marsha Vlasic, Artist Group International
Gita Williams, Saint Heron
Nicole Wyskoarko, Carroll, Guido & Groffman, LLP


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