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IFC Films to Support Reopening Cinemas with Indie Theater Revival Project

"Me and You and Everyone We Know"

When independent movie theaters begin reopening in the coming months, IFC Films will be there to give them a boost. A press release has announced the distributor will support partnering cinemas with The Indie Theater Revival Project.

“The company has put together 20 curated retrospective programs, which include approximately 200 films spanning IFC Films’ 20-year history, and will make them available to cinemas across the US, starting May 29,” per the source. “No film rental will be due for these special engagements. A selection of the programs will also be presented at IFC Center, IFC Films’ cinema in New York City, when it reopens.”

The Indie Theater Revival Project will allow partnering theaters to book any number of retrospective offerings, in part or in total, for a month after they reopen. Interested theaters can sign up or find more information via IFC Films’ website.

IFC Films has already confirmed three retrospective lineups: Greatest Hits, a selection of IFC blockbusters; Yes We Cannes!, 15 Cannes award winners; and Cult Icons, a collection of niche fan favorites.

Miranda July’s dramedy “Me and You and Everyone We Know,” Jennifer Kent’s acclaimed horror pic “The Babadook,” and Andrea Arnold’s coming-of-age drama “Fish Tank” are among the retrospectives’ offerings. Greta Gerwig-starrer “Frances Ha,” abortion drama “4 Months, 3 Weeks and 2 Days,” and queer romance “Blue Is the Warmest Color” are also included.

“Independent theaters across the country have been essential partners for us at IFC Films, and we would not be where we are today without their support,” the company stated. “We wanted to take the first step and let theaters know that we are committed to helping them reopen their doors by providing a selection of films to program while the new release landscape gets back to normal.”

Check out the first three retrospectives’ lineups below. A complete list of programs and titles will be announced in the coming weeks.


Greatest Hits – Indie Blockbusters from IFC Films

BOYHOOD (Richard Linklater, 2014)
Y TU MAMA TAMBIEN (Alfonso Cuaron, 2002)
THE DEATH OF STALIN (Armando Iannucci, 2018)
CAVE OF FORGOTTEN DREAMS (Werner Herzog, 2011)
TOUCHING THE VOID (Kevin Macdonald, 2004)
45 YEARS (Andrew Haigh, 2015)
FRANCES HA (Noah Baumbach, 2013)
BUCK (Cindy Meehl, 2011)
ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
THE MAN WHO KNEW INFINITY (Matt Brown, 2015)
PHOENIX (Christian Petzold, 2014)
BLUE IS THE WARMEST COLOR (Abdellatif Kechiche, 2013)

Yes We Cannes! – A selection of 15 IFC Films releases that have won major prizes at the Cannes Film Festival

Palme d’or (Best Film) winners:
I, DANIEL BLAKE (Ken Loach, 2016)
DHEEPAN (Jacques Audiard, 2015)
BLUE IS THE WARMEST COLOR (Abdellatif Kechiche, 2013)
4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu, 2007)
THE WIND THAT SHAKES THE BARLEY (Ken Loach, 2006)

Camera d’or (Best First Film) winners:
ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
HUNGER (Steve McQueen, 2008)

Grand Prix (Second place award) winners:
GOMORRAH (Matteo Garrone, 2008)
THE KID WITH A BIKE (Dardennes Brothers, 2011)

Jury Prize:
FISH TANK (Andrea Arnold, 2009)
LIKE FATHER LIKE SON (Hirokazu Kore-Eda, 2013)

Best Director:
PERSONAL SHOPPER (Olivier Assayas, 2016)

Best Actress – Charlotte Gainsbourg:
ANTICHRIST (Lars von Trier, 2009)

Best Actress – Juliette Binoche:
CERTIFIED COPY (Abbas Kiarostami, 2010)

Best Actor – Benicio Del Toro:
CHE (Steven Soderbergh, 2008)

Cult Icons – What makes a cult icon? Only the audience can decide. Explore 10 cult hits from IFC Films.

THE AUTOPSY OF JANE DOE (André Øvredal, 2016)
THE BABADOOK (Jennifer Kent, 2014)
COLD IN JULY (Jim Mickle, 2014)
DEPRAVED (Larry Fessenden, 2019)
FOLLOWING (Christopher Nolan, 1998)
THE HOUSE THAT JACK BUILT (Lars Von Trier, 2018)
THE HUMAN CENTIPEDE (Tom Six, 2009)
KILL LIST (Ben Wheatley, 2011)
SIGHTSEERS (Ben Wheatley, 2012)
VALHALLA RISING (Nicholas Winding-Refn, 2009)
WITCHING AND BITCHING (Alex De La Iglesia, 2013)


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