Features, Films, Women Directors, Women Writers

Weekly Update for May 26: Women Centric, Directed, and Written Films Playing Near You

Amal Ramsis: Cairo International Women’s Film Festival’s Instagram account
“Berlin Syndrome”

Films About Women Opening This Week

Berlin Syndrome — Directed by Cate Shortland

While holidaying in Berlin, Australian photojournalist Clare (Teresa Palmer) meets charismatic local man Andi (Max Riemelt). There is an instant attraction between them, and a night of passion ensues. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes the following morning to discover Andi has left for work and locked her in his apartment. An easy mistake to make, of course, except Andi has no intention of letting her go again. (Press materials)

Read Women and Hollywood’s interview with Cate Shortland.

Find tickets and screening info here.

The Women’s Balcony — Written by Shlomit Nehama (Opens in Wider Release)

“The Women’s Balcony”

When the women’s balcony in an Orthodox synagogue collapses, leaving the rabbi’s wife in a coma and the rabbi in shock, the congregation falls into crisis. Charismatic young Rabbi David (Avraham Aviv Alush) appears to be a savior after the accident, but slowly starts pushing his fundamentalist ways and tries to take control. This tests the women’s friendships and creates an almost Lysistrata-type rift between the community’s women and men. (Press materials)

Find screening info here.

Hermia & Helena

Camila (Agustina Muñoz), a young Argentine theater director, travels from Buenos Aires to New York for an artist residency to work on a new Spanish translation of Shakespeare’s “A Midsummer Night’s Dream.” Upon her arrival, she quickly realizes that her work isn’t compensating for the loss of her friends and the lover she left behind. When she begins to receive a series of mysterious postcards from Danièle (Mati Diop), a former participant in the same residency, Camila second-guesses her artistic endeavors and begins to seek answers about her past. (Press materials)

Films About Women Currently Playing

“Everything, Everything”

Everything, Everything — Directed by Stella Meghie
Paint It Black — Co-Written and Directed by Amber Tamblyn
Icaros: A Vision — Co-Written and Co-Directed by Leonor Caraballo
AWOL — Directed by Deb Shoval; Written by Deb Shoval and Karolina Waclawiak (Also Available on VOD)
The Woman Who Left
Devil’s Domain (Available on VOD May 30)
The Inland Road — Written and Directed by Jackie Van Beek
Restless Creature: Wendy Whelan (Documentary) — Co-Directed by Linda Saffire
Snatched — Written by Katie Dippold
Paris Can Wait — Written and Directed by Eleanor Coppola
The Wedding Plan — Written and Directed by Rama Burshtein
Dead Awake
Hounds of Love (Also Available on VOD)
Manifesto (Opens in LA)
Like Crazy — Co-Written by Francesca Archibugi
A Woman’s Life — Co-Written by Florence Vignon
Tomorrow Ever After — Written and Directed by Ela Thier
The Circle
A Moving Image (UK)
Letters from Baghdad (Documentary) — Directed by Sabine Krayenbühl and Zeva Oelbaum (UK)
Citizen Jane: Battle for the City (Documentary)
Unforgettable — Directed by Denise Di Novi; Co-Written by Christina Hodson
A Quiet Passion
Maudie — Directed by Aisling Walsh; Written by Sherry White (Canada)
Colossal
Their Finest — Directed by Lone Scherfig; Written by Gaby Chiappe
The Zookeeper’s Wife — Directed by Niki Caro; Written by Angela Workman
Ghost in the Shell
God Knows Where I Am (Documentary)
The Levelling — Written and Directed by Hope Dickson Leach
Beauty and the Beast
A Woman, a Part — Written and Directed by Elisabeth Subrin
Personal Shopper
The Last Word
Hidden Figures — Co-Written by Allison Schroeder
Toni Erdmann — Written and Directed by Maren Ade
The Eagle Huntress

Films Directed by Women Opening This Week

None.

Films Directed by Women Currently Playing

“Wakefield”

Wakefield — Written and Directed by Robin Swicord (Also Available on VOD)
Stefan Zweig: Farewell to Europe — Co-Written and Directed by Maria Schrader
The Drowning — Directed by Bette Gordon
Risk (Documentary) — Directed by Laura Poitras
3 Generations — Directed by Gaby Dellal; Written by Gaby Dellal and Nikole Beckwith
Buster’s Mal Heart — Written and Directed by Sarah Adina Smith
Mr. Chibbs (Documentary) — Written and Directed by Jill Campbell
Obit. (Documentary) — Directed by Vanessa Gould
Tomorrow (Documentary) — Co-Directed by Mélanie Laurent
Jeremiah Tower: The Last Magnificent (Documentary) — Written and Directed by Lydia Tenaglia
Alive and Kicking (Documentary) — Directed by Susan Glatzer; Written by Susan Glatzer and Heidi Zimmerman (Also Available on VOD)
Glory — Co-Written and Co-Directed by Kristina Grozeva
David Lynch: The Art Life (Documentary) — Co-Directed by Olivia Neergaard-Holm
Cezanne and I — Written and Directed by Danièle Thompson
Jasper Jones — Directed by Rachel Perkins (Australia)
A United Kingdom — Directed by Amma Asante

Films Written by Women Opening This Week

None.

Films Written by Women Currently Playing

“Hindi Medium”

Hindi Medium — Co-Written by Zeenat Lakhani
Champion — Written by Missy Reed and Sarah Inabnit
Love Off the Cuff — Co-Written by Yee-sum Luk
The Promise — Co-Written by Robin Swicord
Free Fire — Co-Written by Amy Jump
Tommy’s Honour — Co-Written by Pamela Marin
Smurfs: The Lost Village — Written by Stacey Harman and Pamela Ribon
The Red Turtle — Co-written by Pascale Ferran

TV Premieres This Week

“Still Star-Crossed”

Dino Dana (Premieres May 26 on Amazon)

Dana (Michela Luci) is a 9-year-old girl who loves dinosaurs. Her life changes forever when she’s given a Dino Field Guide, which not only teaches her new things about dinosaurs, but gives her the power to imagine dinosaurs into real life. (Press materials)

Still Star-Crossed — Co-Executive Produced by Shonda Rhimes and Betsy Beers (Premieres May 29 on ABC)

A one-hour period drama from Shondaland and ABC Studios, “Still Star-Crossed” picks up where the famous story of “Romeo and Juliet” ends, charting the treachery, fight for power, and ill-fated romances of the Montagues and Capulets in the wake of the young lovers’ tragic fate. The series is based on the eponymous book by Melinda Taub. Lashana Lynch, Ebonee Noel, Zuleikha Robinson, Grant Bowler, Wade Briggs, Sterling Sulieman, and Anthony Head star. (Press materials)

Sarah Silverman: A Speck of Dust (Comedy Special) (Premieres May 30 on Netflix)

In her first comedy special post-health scare, Sarah Silverman shares a mix of fun facts, sad truths, and yeah-she-went-there moments. (Press materials)

VOD/DVD Releasing This Week

“Before I Fall”: Open Road

Everybody Does It (Short) — Written and Directed by Megan Brotherton (YouTube, Available Now)
Love True (Documentary) — Directed by Alma Har’el (Netflix, Available Now)
Before I Fall — Directed by Ry Russo-Young; Written by Maria Maggenti (DVD/VOD, May 30)
The Blackcoat’s Daughter (DVD/VOD, May 30)
Rupture (DVD/VOD, May 30)

Picks of the Week from Women and Hollywood

The Cannes Conundrum
The Personal Is Communal: Crowdfunding Picks

On Women and Hollywood This Week

Drama About Cleopatra in the Works at Amazon

Lee Grant to Receive Split Screens Festival’s Inaugural Legacy Award

Just Four of the New Fall Broadcast TV Series Are Women-Created

WIDC Launches Directory of Canadian Women Directors and Calls for Award Submissions

Gina Prince-Bythewood to Direct Marvel’s “Silver Sable and Black Cat”

Quote of the Day: Helen Mirren Explains Why She’s a “Declared Feminist”

Ellen DeGeneres Has a Netflix Special on the Way

Cannes Update: Gurinder Chadha’s “Viceroy’s House” Gets U.S. Distribution

Marlene Dietrich Retrospective Screening at the Metrograph in NYC

Release Dates Set for Elizabeth Banks’ “Charlie’s Angels” and Michelle MacLaren’s “The Nightingale”

Anne Hathaway to Topline Untitled Romantic Comedy from STXfilms

WIF Launches Campaign Encouraging Audiences to See “Wonder Woman” Opening Weekend Toni Collette Options “The Best of Adam Sharp”

Watch: “Victoria” Season 2 First Look Sees the Monarch Embracing Motherhood

Cannes Update: Chloé Zhao’s “The Rider” Snagged by Sony Pictures Classics

Elisabeth Moss to Star in and Produce TV Adaptation of Mary Beth Keane’s “Fever”

Cannes 2017 Women Directors: Meet Natalia Santa — “La Defensa del Dragón”

Women Filmmakers Receive 66% of Doha Film Institute Spring Grants

Hedgebrook’s Screenwriters Lab Now Accepting Applications

Trailer Watch: The Bordelon Legacy Is at Stake in “Queen Sugar” Season 2

“Criminal Minds” Actresses Kirsten Vangsness and A.J. Cook Push for Equal Pay

Haifaa Al-Mansour to Direct “The Perfect Candidate”

Trailer Watch: Clone Club Preps for Its Final Fight in “Orphan Black” Season 5

Cannes Update: Rihanna, Lupita Nyong’o, Ava DuVernay, and Issa Rae Team Up for Buddy Film

Cannes Update: Amma Asante’s Amandla Stenberg-Starrer “Where Hands Touch” Acquired by Sony Pictures Worldwide

Cannes Update: Catherine Deneuve to Star in Julie Bertuccelli’s “Claire Darling”

Elvira Lind’s Tribeca Winner “Bobbi Jene” Acquired by Oscilloscope

Cannes Update: Joanna Hogg to Direct “The Souvenir”

Cannes Interview: Kristen Stewart Explains Why Directing Shouldn’t Be About Correcting

Yara Shahidi-Led “Black-ish” Spinoff Greenlit at Freeform

Cannes Update: Jessica Chastain to Star in and Produce “Seducing Ingrid Bergman”

Industry Double Standards: The Success of “Everything, Everything” and Failure of “King Arthur”

“Mamma Mia!” Sequel Announced

Cannes 2017 Women Directors: Meet Cecilia Atan and Valeria Pivato — “The Desert Bride”

Guest Post: Why My New Film “AWOL” Is More Than a Love Story

Directors UK Launches New Mentorship and Career Development Program

Trailer Watch: Whitney Houston Struggles with Fame in “Whitney: Can I Be Me”

Cannes Update: Claire Denis’ “Let the Sunshine In” Acquired by Sundance Selects

Catherine Zeta-Jones to Star in Lifetime’s “Cocaine Godmother”

Cannes 2017 Women Directors: Meet Bonni Cohen — “An Inconvenient Sequel: Truth to Power”

Carrie Brownstein to Make Feature Directorial Debut with “Fairy Godmother”

Cannes Update: New Films with Ashley Judd and Maggie Q on the Way

Trailer Watch: Brie Larson Reunites with Her Dysfunctional Family in “The Glass Castle”

The Personal Is Communal: Crowdfunding Picks

Weekly Reads from Around the Internet

Sasheer Zamata Quit “SNL,” Proving TV’s Race and Gender Problems are More Systemic Than Ever by Jamilah King (Mic)

I’m Glad Goldie Hawn Got Her Star on Hollywood’s Walk of Fame But it Was Long Overdue by Amanda Keats (Metro)

“Fleabag” Creator Phoebe Waller-Bridge on Guinea Pigs, Finding Olivia Colman’s Evil Side and Potential Season 2 by Sonia Saraiya (Variety)

“Wonder Woman”: Director Patty Jenkins Says “Superman,” “Casablanca” Inspired Blockbuster by Beatrice Verhoeven (The Wrap)

Claire Denis’ “Let the Sunshine In” Lights Up Cannes, But Once Again, She Was Not Asked to Compete by Justin Chang (The LA Times)

Outside D.C., “Veep” Finds a Worthy New Target: “Lean In” Feminism by Inkoo Kang (Slate)

Follow Women and Hollywood on Twitter @WomenaHollywood and Melissa Silverstein @melsil.

To contact Women and Hollywood, email melissa@womenandhollywood.com.

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Thomasin McKenzie finds herself on another dangerous journey inspired by a glamorous, mysterious woman in “Eileen,” her latest big screen outing following “One Night in Soho.”...

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